The double Obsolescence of the Farnsworth House

Contenido principal del artículo

Resumen

Rarely does architecture reach its functional obsolescence. The usual is disenchantment: an obsolescence of enthusiasm that reveals the emotional exhaustion of its inhabitants, of a cultural group, or a whole society. Given the narratives that describe obsolescence as a stage prior to that of re-founding, one might think about it as a state of multiplicity that results from the coexistence of lives projected around the same built object. To revert one of these obsolescences may suppose ending the existence of the other. From this perspective it is possible to devise a non- binary project strategy to pose a more complex and asymmetric coexistence. In the case that we are presenting here, the living years of the Farnsworth House, this possibility emerges from the conception of a soft architecture, subversive and critical, capable of embracing the complexity of its own exhaustion and constant reinvention.

Detalles del artículo



Victor Navarro Ríos
María Langarita Sánchez
Navarro Ríos, V., & Langarita Sánchez, M. (2021). The double Obsolescence of the Farnsworth House. Materia Arquitectura, (18), 113–116. https://doi.org/10.56255/ma.v0i18.407

Descargas

Los datos de descargas todavía no están disponibles.

Citas

BARRY, J. A. (1953). Report on the American Battle
Between Good and Bad Modern Houses. House Beautiful, 95, pp. 172-173, 266-272.
DREXLER, A. (1960). Ludwig Mies van der Rohe. New York, NY: George Braziller.
FRIEDMAN, A. T. (2006). Women and the Making of the Modern House: A Social and Architectural History. New Haven, CT: Yale University Press.
GORDON, E. (1953). The Threat to the Next America. House Beautiful, 95, pp. 126-130, 250-251.
SCHULZE, F. (1960). A Critical Biography. Chicago, IL: Chicago Press.
VANDENBERG, M. (2003). Farnsworth House: Ludwig Mies van der Rohe. New York, NY: Phaidon Press.

Artículos más leídos del mismo autor/a