De/Re-Construct
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ambiances in which she exhibited still lifes from the Parliament’s art collection and two videos. She used architecture as program of
her work by carefully selecting ideologically charged architectures as settings for her videos, by drawing the content of videos on
architectural research and by using the architecture of the pavilion as an orientation device that guides the viewer and allows him/her
to construct new perspectives on art and architecture. The article attempts to situate Cibic’s work through questioning the meaning
of the setting in the context of today’s eroding ideological boundaries and shows how using architecture as program of a space
installation may elucidate the context of art.
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References
DULAR, M. (1940). Ljubljanski sejem za naše gospodarstvo in kulturo [La feria de Liubliana para nuestra economía y cultura]. Kronika slovenskih mest, 7(2), 77-84.
RENDELL, J. (2013). Staging Devices: Setting the Scene for What Might Have Been. En For Our Economy and Culture (págs. 192-195). Liubliana: Muzej in galerije mesta Ljubljane/ Galerija Škuc.
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