Triggering Theory: The case of OASE, Journal for Architecture
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Published:
Dec 28, 2017
Keywords:
Self-education
Slowness
Discursive experiments
Printed matter
Amateurism
Section
Dossier translations
Main Article Content
Abstract
Started as a project of self-education, as a critical act against mainstream journals, OASE explored in the past 35 years alternative approaches to architecture writing and thinking. In doing so, the editors invested the vast spectrum of instruments at their disposal: editorial policies, periodicity, slowness, writing and iconography. As such, the editors of OASE not only challenged the ways one thinks and talks about architecture but assimilated new abilities to approach the architectural object.
Article Details
Véronique Patteeuw
Ecole Nationale Supérieure d'Architecture et de Paysage de Lille
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References
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AVERMAETE, T., GRAFE, C., HAVIK, K., LAGAE, J., PATTEEUW, V., & VANDEPUTTE, T. (Junio, 2010). Constructing Criticism, OASE, (81).
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VAN GERREWEY, C., VANDEPUTTE, T., & PATTEEUW, V. (Octubre 2012). The Exhibition as Productive Space. OASE, (88), 1-4 (Edición especial: Exhibitions: Showing and Producing Architecture).
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AVERMAETE, T., GRAFE, C., HAVIK, K., LAGAE, J., PATTEEUW, V., & VANDEPUTTE, T. (Junio, 2010). Constructing Criticism, OASE, (81).
ELIOT, T. S. (1975). Selected Prose of T.S. Eliot. Londres, Inglaterra: Faber & Faber.
FOUCAULT, M. (1994). Le jeu de Michel Foucault. En M. Foucault, Dits et Ecrits, 1954-1988. Tome III: 1976-1979 (pp. 298–329). París, Francia: Gallimard.
LAGAE, J., & GRAFE, C. (2011). OASE. Confessions from the Inside on How to Occupy a Position of “Neither” in the Low Countries. En K. Wooller, 20/20: Editorial takes on Architectural Discourse (pp. 111–117). Londres, Inglaterra: Architectural Association.
VAN GERREWEY, C., VANDEPUTTE, T., & PATTEEUW, V. (Octubre 2012). The Exhibition as Productive Space. OASE, (88), 1-4 (Edición especial: Exhibitions: Showing and Producing Architecture).
PLUET-DESPATIN, J. (1992). Une Contribution à l’Histoire des Intellectuels: Les Revues. Cahiers de l’Institut de l’Histoire du Temps Présent, (20), 125–136 (Edición especial: Sociabilités Intellectuelles. Lieux, Milieux, Réseaux).
REDAKTIONEEL. (1981). Redaktioneel. O. O, (1).
SHKLOVSKY, V. (1965). Art as Technique. En L. T. Lemon & M. J. Reis (Eds.), Russian Formalist Criticism: Four Essays (pp. 3–24). Lincoln, NE: University of Nebraska Press.
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