INDUMENTARIA, CONVENCIONES Y MODERNIDAD: BERNARD RUDOFSKY EN EL MOMA

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Published: Apr 30, 2021
DOI: https://doi.org/10.56255/ma.v0i19.438

Keywords:



MoMA
Vestuario
Rudofsky
Exposición
International Style
Issue
No. 19 (2020): Materia Arquitectura 19 (Agosto/August 2020)
Section
Dossier

Main Article Content

Abstract

Este articulo presenta el debate entre la formulacion de la exposicion de Bernard Rudofsky para el Museo de Arte Moderno de Nueva York en 1944 y las propuestas originales del arquitecto. Por medio del analisis de las cartas enviadas durante la organizacion y curatori de la muestra, la investigacion que hubo tras ella y las piezas que no lograron ser parte de la misma, es posible concluir que la exhibicion termina ajustandose a las convenciones que la arquitectura moderna planteaba y que precisamente Rudofsky se esforzaba en criticar. En la muestra se establece un dialogo entre indumentaria y cuerpo racionalizado, el que resulto fundamental durante el critico periodo que siguio a la Segunda Guerra Mundial.

Article Details



Anita Puig Gómez

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Puig Gómez, A. (2021). INDUMENTARIA, CONVENCIONES Y MODERNIDAD: BERNARD RUDOFSKY EN EL MOMA. Materia Arquitectura, (19), 71–83. https://doi.org/10.56255/ma.v0i19.438

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References

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