El ensayo como forma
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Abstract
Este ensayo analiza el texto escrito en 1958 por el sociólogo alemán Theodor Adorno “El ensayo como forma”, a través de los escritos de cinco historiadores ingleses de la arquitectura de post-guerra: John Summerson, Colin Rowe, Alan Colquhoun, Reyner Banham y Robin Evans. Sostiene que el compromiso de cada uno de estos historiadores con el ensayo ha pasado en gran parte desapercibido, sin recibir ningún tipo de reconocimiento por su trabajo; en forma más general, propone que el ensayo, como una manera muy especial de comunicar popularmente ideas educadas, debería ser re-establecido como un modelo importante y accesible para toda la escritura de textos académicos.
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References
BANHAM, R. (1960). Theory and Design in the First Machine Age. Londres: Architectural Press.
BANHAM, R. (1996). A Critic Writes. Berkeley: University of California Press.
COLQUHOUN, A. (2011). “Some Thoughts on the ‘Essay‘”. Carta no publicada.
COLQUHOUN, A. (1981). Essays in Architectural Criticism: Modern Architecture and Historical Change. Cambridge, Mass.: MIT Press.
EVANS, R. (1997). Translations from Drawing to Building and Other Essays. Londres: Architectural Association.
HUXLEY, A. (1959). Collected Essays. Nueva York: Harper.
ROWE, C. (1996). As I Was Saying: Recollections and Miscellaneous Essays, tres vols. Cambridge, Mass.: MIT Press.
SUMMERSON, J. (1963). Heavenly Mansions: And other essays on architecture. Nueva York: W. W. Norton.
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